Any information on how to set up the 5DMkII to shoot video is always useful. Vincent Laforet has some useful tips and settings when shooting on the 5DMkII shared on his blog. Head over to his blog for more info or watch the video below.
As I write this blog I am in Bali filming at a retreat, I'm filming a 12 day health and well being experience to add to Julie's TV pilot 'Re-Treat Me'.
The scenery and people are amazing, the whole experience is enlightening. I've decided to shoot this part of the 'Re-Treat Me' on my Canon 5D Mark II my trusted work horse and ultra superb DSLR unit that shoots kick ass high video footage.
As of yesterday Canon have released the much awaited and rumoured Canon 5D Mark III. As a filmmaker I'm eager to get my hands on one of these to see what the improvements are and how the current shot I am on could benefit from it.
For a long time now I've heard and read a lot of rumours about what this camera will come out with which are mainly what people are wishing for really.
The 2nd of March 2012 smashed all the rumours and made it a reality. Here's what the Canon 5D Mark III will offer. Remember this still is a DSLR camera built for photographers so don't get to annoyed if it's not up to your expectations. I'm also merely going off what I am reading on the net and the press release from Canon - also gaining info from DSLR and filmmaking god Philip Bloom.
Canon 5D Mark III features and improvements up from the Mark II:
* New processor, greater image quality - slight improvement on moire and aliasing * Jello effect from rolling shutter minimal * Headphone jack so we can monitor sound!!! Oh and levels on screen we can change while recording!! Wowo!!! * We can now record one continuous clip at just under 30 minutes!! This would be so awesome to have that here right now, as I'm only getting max 12 minutes at a time in one hit while recording speakers at this retreat. I can see this helping doco filmmakers and improving the way I tackle wedding videos now! * Timecode is now apparent * Better in low light now * It still records in H264 whether they have changed bit rate etc is anyone's guess * 50/60p make an appearance but only in 720p....why? * 720p also shows up when you want to get a clean uncompressed signal out of the HDMI :/ * Price for body $3500 (US)
I guess if anything is you had a few EF lenses upgrading to the new body would be the way to go, it doesn't seem like a harsh jump in improvements but it's probably some finely tuned ones that we have all been crying out for in the filmmaking world.
